Previous Issues

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April 2017. Vol. 21, No. 1 & 2.

20 Years of CultureWork: A Periodic Broadside for Arts & Culture Workers – Multiple

authors/topics

October 2016. Vol. 20, No. 4.

Cultural Managers as “Masters of Interspaces”  Patrick S. Föhl and Gernot Wolfram

August 2016. Vol. 20, No. 3.

Who is Writing about Cultural Policy and Arts Management?  Eleonora Redaelli and Jonathan Paquette

April 2016. Vol. 20, No. 2.

Creating Connection through Creative Expression Eric Friedenwald-Fishman and David Fraher

January 2016. Vol. 20, No. 1.

Advocacy in “Interesting” Times Anne Katz

October 2015. Vol. 19, No. 4.

Increasing Community Capacity for Arts Education: The Studio to School Initiative  Kim Leonard and Sonia Worcel

August 2015. Vol. 19, No. 3.

Community Cultural Development 2015: Revisiting Our Practice  Bill Flood

June 2015. Vol. 19, No. 2.

Growing Arts and Culture Sector Leaders through Refined Vision of Arts Management Kim Mathie

April 2015. Vol. 19, No. 1.

Interpreting, Documenting, and Preserving the Precarious Journey of African Americans in Oregon  Kimberley S. Moreland

October 2014. Vol. 18, No. 4.

Community Development in the Context of Art: North Park and the Citizen Artist  Lynn Susholtz and Leslie Ryan

July 2014. Vol. 18, No. 3.

Growing a Lotus in Indiana/Lotus World Music & Arts Festival: Developing a Volunteer Cohort LuAnne Holladay and Tamara Loewenthal; John Fenn, Guest Editor

April 2014. Vol. 18, No. 2.

U.S. Workforce Policy Builds up ‘STEAM’ Ann M. Galligan

January 2014. Vol. 18, No. 1.

Preserving a Hometown Corner for Posterity:  Casita Rincón Criollo as a Traditional Cultural Property Molly Garfinkel

October 2013. Vol. 17, No. 3.

Culture in Agriculture: The Cooperative Extension Service as an Alternative Rural Arts Model Savannah Barrett

Coming of Age: Access and Equity in American Arts Jennifer Armstrong and Mitch Menchaca

April 2013. Vol. 17, No. 2.

Management Strategy for Songzhuang Culture and Creative Industry Cluster Nan Yang

Personalization of Place: Remixing the Eugene Coloring Book Emily Hope Dobkin

February 2013. Vol. 17, No. 1.

Making Culture: 21st Century Communities of Practice David Darts

October 2012. Vol. 16, No. 4.

Arts and Creative Engagement: Establishing Arts in Healthcare as a Field of Arts Management Jill Sonke

July 2012. Vol. 16, No. 3.

The Evolution of Youth Leadership in a Mid-Sized Community Arts Organization Reed Davaz McGowan

May 2012. Vol. 16, No. 2.

Inspiring Vision and Practice: CultureWork, a leading voice for arts and cultural management praxis

January 2012. Vol. 16, No. 1.

Creative Entanglement: The Challenges and Promises of Collaboration Laurie Dean Torrell

June 2011. Vol. 15, No. 3.

ChinaVine.org: Student Engagement in the Interpretive and Planning Process

April 2011. Vol. 15, No. 2.

Community Arts Behind the Walls  Grady Hillman

January 2011.  Vol 15, No. 1

Instances of Cultural Entrepreneurship  Arturo Zavala

October 2010.  Vol 14, No. 4

Articulating the Civic and Social Impacts of the Arts: The Arts & Civic Impact Initiative at Americans for the Arts  Barbara Schaffer Bacon and Pam Korza

June 2010. Vol. 14, No. 3.

Hacking the Policy Space  Helen De Michiel

April 2010. Vol. 14, No. 2.

Processes, Resources, Collaboration: Considerations for Greening Public Art Programs  Betsy Bostwick

January 2010. Vol. 14, No. 1.

Understanding Social Service and Community Needs in an Urban Community Arts Center  Reed Davaz McGowan

October 2009. Vol. 13, No. 4.

Creating & Performing Pinang & Ayu: A Love Story A Lesbian Shadow-Puppet Performance  Summer Melody Pennell

The Bailout Biennial (January 15 until April 15, 2009)  elin o’Hara slavick and María DeGuzmán

July 2009. Vol. 13, No. 3.

Writing Together: The Art of Community Writing Organizations  Jennifer Furl

April 2009. Vol. 13, No. 2.

Community, Culture, and Constituting a Usable Past in Eugene, OR  John Fenn

January 2009. Vol. 13, No. 1.

Concentric Concerns: The Art of Administrative Collaboration  Laurie Dean Torrell

October 2008. Vol. 12, No. 3.

Consulting = Responsibility + Collaboration  Alice Parman

July 2008. Vol. 12, No. 2.

How Can Arts Leaders Play an Active Role in Cultural Planning Initiatives in Their Local Communities?  Tina Rinaldi

March 2008. Vol. 12, No. 1.

Mid-Career Professional Development: Long-Term Asset or Short-Term Liability?  Victoria J. Saunders

December 2007. Vol. 11, No. 3.

No Longer Emerging and Not Ready to Retire: A Look at Mid-Career Arts Managers  Victoria J. Saunders

July 2007. Vol. 11, No. 2.

From State Intervention to Cultural Synthesizism in Bogotá, Colombia  Susan Marie Appe

April 2007. Vol. 11, No. 1.

Creating Historical Consciousness: A Case Study Exploring Museum Theater  Ann Craig

Queering the Museum  James H. Sanders III

December 2006. Vol. 10, No. 4.

Bridging the Generation Gap in Arts and Culture Leadership: Taking the First Steps  Victoria J. Saunders

August 2006. Vol. 10, No. 3.

Boomers, XY’s and the Making of a Generational Shift in Arts Management  Victoria J. Saunders

Canaries in the Coal Mine:   Art, Freedom, and Community (Eugene City Club,  June 2, 2006)  John Frohnmayer

May 2006. Vol. 10, No. 2.

Recognizing Artists as Public Intellectuals: A Pedagogical Imperative  Jodi Kushins

February 2006. Vol. 10, No. 1.

From Concept to Creation: A Museum Makeover with Big Ideas and a Small Donor Base  Patricia Krier and Thomas Connolly

The Museum’s Community Role  Alice Parman

October 2005.  Vol 9, No. 4.

From Termination to Triumph: Reflecting on the First Ten Years of the University of Oregon Arts and Administration Program  Elizabeth Hoffman, Ph.D.

March 2005. Vol. 9, No. 3.

Quotes, Qualms, and Questions: The Impact of June King and Vincent Lanier on My Life and Beyond  Dr. Paul Bolin

Explorations of Visual Culture: Written on the Body  Dr. Laurie Hicks

Community Arts in a Digital Age  Kristin G. Congdon

December 2004. Vol. 9, No. 2.

Folkvine.org: The Challenges of Presenting Folk Art On-line. An Overview  Kristin G. Congdon, Craig Saper, Chantale Fontaine, and Alex Katsaros

September 2004. Vol. 9, No.1.

An Expressive Arts Hospital Program for People with HIV/AIDS: A Description, Two Stories, and Explanations  Julia Kellman

June 2004. Vol. 8, No. 4.

Assessing Arts and Cultural Programming in Oregon’s Recreation Organizations  Gaylene Carpenter

Outcome-based Evaluation: Practical and Theoretical Applications  Robert Voelker-Morris

March 2004. Vol. 8, No.3.

A Call to Action for 2004 (And Beyond)  Thomas Tresser

January 2004. Vol. 8, No. 2.

Defining Queer: The Criteria and Selection Process for Programming Queer Film Festivals  Jamie June.

September 2003. Vol. 8, No. 1.

Searching for Solutions: Planning Analysis of the Oregon Cultural Trust and Recommendations for Community Arts Managers with Regard to Public Funding of Culture in Oregon  Gustav Baum.

June 2003. Vol. 7, No. 3.

A Library as Material Culture: Typology and Symbol in the Community  Clayton Funk.

Text, Reader, Reading:  Richard Bear.

March 2003. Vol. 7, No. 2.

Intangible Legacy: Oregon’s Federal Art Centers  Margaret Bullock.

Designing Web-Based Instruction: A Research Review On Color, Typography, Layout, and Screen Density  Michael G. Geraci

January 2003. Vol. 7, No. 1.

Three Festivals Seen Through the Getz Model of the Event Management System  Emily Windle

June 2002. Vol. 6, No. 3.

We Want Your Life Back: How You Can Go Guerilla!  Marc Moscato

January 2002. Vol. 6, No. 2.

Ticket Pricing: Concepts, Methods, Practices, and Guidelines for Performing Arts Events  David Franklin Riley

September 2001. Vol. 6, No. 1.

Seeing the Whole Picture: An Investigation of Factors that Influence Contemporary Native American Artist Participation in “Mainstream” Fine Art Markets  Staci Golar

Memories of Professor Robert Gard  Michael F. Warlum

June 2001. Vol. 5, No. 4.

Reviving Arts Education through Collaboration: Community/Schools Partnership for the Arts  Mary Ann Stankiewicz

March 2001. Vol. 5, No. 3.

AMRC – The Arts Management Research Clearinghouse  Dr. Linda F. Ettinger

January 2001. Vol. 5, No. 2.

Creating an Arts Access Guide on the World Wide Web: Access to Art in Portland, Oregon  Kim Ruthardt Knowles

September 2000. Vol. 5, No. 1.

Community Arts Councils: Historical Perspective  Maryo Ewell

The Montana Study  Clayton Funk

June, 2000. Vol. 4, No. 3.

Community Arts Councils: Historical Perspective (Part III)  Maryo Ewell

Why is the Mona Lisa Smiling?  Steve Feld

April, 2000. Vol. 4, No. 2.

Community Arts Councils: Historical Perspective (Part II)  Maryo Ewell

Thinking Ahead: Disaster Preparedness for Museums  Yvonne Lever

January, 2000. Vol. 4, No. 1.

Community Arts Councils: Historical Perspective (Part I)  Maryo Ewell.

Family-Focused Programming Between the Arts and Social Services  Barbara Harris

September, 1999. Vol. 3, No. 4.

Art Teacher Censorship of Student Produced Art in Georgia’s Public High Schools  Bruce Bowman

July, 1999. Vol. 3, No. 3.

Economic and Leisure Factors Impacting Participation in the Arts by Middle Aged Adults  Gaylene Carpenter, Ed.D.

WESTAF Launches www.artjob.org  Searchable Arts Employment and Opportunities Web Site.

April, 1999 Vol. 3, No. 2.

Paul Olum Mobile Hemi-Bust  Michael Randles

Outlaw Murals  Laura Feldman

January, 1999 Vol. 3, No.1.

The Rise and Fall of the California Confederation of the Arts: 1976 – 1997  Anne W. Smith

September, 1998 Vol. 2, No.4.

What Is Community Cultural Development and How Do We Practice It?  Bill Flood

June, 1998. Vol. 2, No. 3.

The Arts as Commodity  Stan Madeja

The Non-Profit and Commercial Arts: Understanding Future Options  David B. Pankratz

April, 1998. Volume 2, No. 2.

The Florida Farmworkers Project  Kristin Congdon.

February, 1998. Volume 2, No. 1.

Art Crimes: Building a Digital Museum/Graffiti Battle Crown  Susan Farrell

November, 1997. Volume 1, No. 3.

The Invisible Careers for Latinos: Public History and Museum Studies  Miguel Juarez

July, 1997. Volume 1, No. 2.

The Arts Management Employment Interview  Deborah Snider

May, 1997. Volume 1, No. 1.

A Tool for Analysis of Web Sites’ Accessibility to Users with Disabilities  Douglas Blandy, Ph.D.