ChinaVine.org: Student Engagement in the Interpretive and Planning Process
April 2011. Vol. 15, No. 2.
Community Arts Behind the Walls Grady Hillman
January 2011. Vol 15, No. 1
Instances of Cultural Entrepreneurship Arturo Zavala
October 2010. Vol 14, No. 4
Articulating the Civic and Social Impacts of the Arts: The Arts & Civic Impact Initiative at Americans for the Arts Barbara Schaffer Bacon and Pam Korza
June 2010. Vol. 14, No. 3.
Hacking the Policy Space Helen De Michiel
April 2010. Vol. 14, No. 2.
Processes, Resources, Collaboration: Considerations for Greening Public Art Programs Betsy Bostwick
January 2010. Vol. 14, No. 1.
Understanding Social Service and Community Needs in an Urban Community Arts Center Reed Davaz McGowan
October 2009. Vol. 13, No. 4.
Creating & Performing Pinang & Ayu: A Love Story A Lesbian Shadow-Puppet Performance Summer Melody Pennell
The Bailout Biennial (January 15 until April 15, 2009) elin o’Hara slavick and María DeGuzmán
July 2009. Vol. 13, No. 3.
Writing Together: The Art of Community Writing Organizations Jennifer Furl
April 2009. Vol. 13, No. 2.
Community, Culture, and Constituting a Usable Past in Eugene, OR John Fenn
January 2009. Vol. 13, No. 1.
Concentric Concerns: The Art of Administrative Collaboration Laurie Dean Torrell
October 2008. Vol. 12, No. 3.
Consulting = Responsibility + Collaboration Alice Parman
July 2008. Vol. 12, No. 2.
How Can Arts Leaders Play an Active Role in Cultural Planning Initiatives in Their Local Communities? Tina Rinaldi
March 2008. Vol. 12, No. 1.
Mid-Career Professional Development: Long-Term Asset or Short-Term Liability? Victoria J. Saunders
December 2007. Vol. 11, No. 3.
No Longer Emerging and Not Ready to Retire: A Look at Mid-Career Arts Managers Victoria J. Saunders
July 2007. Vol. 11, No. 2.
From State Intervention to Cultural Synthesizism in Bogotá, Colombia Susan Marie Appe
April 2007. Vol. 11, No. 1.
Creating Historical Consciousness: A Case Study Exploring Museum Theater Ann Craig
Queering the Museum James H. Sanders III
December 2006. Vol. 10, No. 4.
Bridging the Generation Gap in Arts and Culture Leadership: Taking the First Steps Victoria J. Saunders
August 2006. Vol. 10, No. 3.
Boomers, XY’s and the Making of a Generational Shift in Arts Management Victoria J. Saunders
Canaries in the Coal Mine: Art, Freedom, and Community (Eugene City Club, June 2, 2006) John Frohnmayer
May 2006. Vol. 10, No. 2.
Recognizing Artists as Public Intellectuals: A Pedagogical Imperative Jodi Kushins
February 2006. Vol. 10, No. 1.
From Concept to Creation: A Museum Makeover with Big Ideas and a Small Donor Base Patricia Krier and Thomas Connolly
The Museum’s Community Role Alice Parman
October 2005. Vol 9, No. 4.
From Termination to Triumph: Reflecting on the First Ten Years of the University of Oregon Arts and Administration Program Elizabeth Hoffman, Ph.D.
March 2005. Vol. 9, No. 3.
Quotes, Qualms, and Questions: The Impact of June King and Vincent Lanier on My Life and Beyond Dr. Paul Bolin, University of Texas
Explorations of Visual Culture: Written on the Body Dr. Laurie Hicks, University of Maine
Community Arts in a Digital Age Kristin G. Congdon, University of Central Florida
December 2004. Vol. 9, No. 2.
Folkvine.org: The Challenges of Presenting Folk Art On-line. An Overview Kristin G. Congdon, Craig Saper, Chantale Fontaine, and Alex Katsaros
September 2004. Vol. 9, No.1.
An Expressive Arts Hospital Program for People with HIV/AIDS: A Description, Two Stories, and Explanations Julia Kellman
June 2004. Vol. 8, No. 4.
Assessing Arts and Cultural Programming in Oregon’s Recreation Organizations Gaylene Carpenter
Outcome-based Evaluation: Practical and Theoretical Applications Robert Voelker-Morris
March 2004. Vol. 8, No.3.
A Call to Action for 2004 (And Beyond) Thomas Tresser
January 2004. Vol. 8, No. 2.
Defining Queer: The Criteria and Selection Process for Programming Queer Film Festivals Jamie June.
September 2003. Vol. 8, No. 1.
Searching for Solutions: Planning Analysis of the Oregon Cultural Trust and Recommendations for Community Arts Managers with Regard to Public Funding of Culture in Oregon Gustav Baum.
June 2003. Vol. 7, No. 3.
A Library as Material Culture: Typology and Symbol in the Community Clayton Funk.
Text, Reader, Reading: Richard Bear.
March 2003. Vol. 7, No. 2.
Intangible Legacy: Oregon’s Federal Art Centers Margaret Bullock.
Designing Web-Based Instruction: A Research Review On Color, Typography, Layout, and Screen Density Michael G. Geraci
January 2003. Vol. 7, No. 1.
Three Festivals Seen Through the Getz Model of the Event Management System Emily Windle
June 2002. Vol. 6, No. 3.
We Want Your Life Back: How You Can Go Guerilla! Marc Moscato
January 2002. Vol. 6, No. 2.
Ticket Pricing: Concepts, Methods, Practices, and Guidelines for Performing Arts Events David Franklin Riley
September 2001. Vol. 6, No. 1.
Seeing the Whole Picture: An Investigation of Factors that Influence Contemporary Native American Artist Participation in “Mainstream” Fine Art Markets Staci Golar
Memories of Professor Robert Gard Michael F. Warlum
June 2001. Vol. 5, No. 4.
Reviving Arts Education through Collaboration: Community/Schools Partnership for the Arts Mary Ann Stankiewicz
March 2001. Vol. 5, No. 3.
AMRC – The Arts Management Research Clearinghouse Dr. Linda F. Ettinger
January 2001. Vol. 5, No. 2.
Creating an Arts Access Guide on the World Wide Web: Access to Art in Portland, Oregon Kim Ruthardt Knowles
September 2000. Vol. 5, No. 1.
Community Arts Councils: Historical Perspective Maryo Ewell
The Montana Study Clayton Funk
June, 2000. Vol. 4, No. 3.
Community Arts Councils: Historical Perspective (Part III) Maryo Ewell
Why is the Mona Lisa Smiling? Steve Feld
April, 2000. Vol. 4, No. 2.
Community Arts Councils: Historical Perspective (Part II) Maryo Ewell
Thinking Ahead: Disaster Preparedness for Museums Yvonne Lever
January, 2000. Vol. 4, No. 1.
Community Arts Councils: Historical Perspective (Part I) Maryo Ewell.
Family-Focused Programming Between the Arts and Social Services Barbara Harris
September, 1999. Vol. 3, No. 4.
Art Teacher Censorship of Student Produced Art in Georgia’s Public High Schools Bruce Bowman
July, 1999. Vol. 3, No. 3.
Economic and Leisure Factors Impacting Participation in the Arts by Middle Aged Adults Gaylene Carpenter, Ed.D.
WESTAF Launches www.artjob.org Searchable Arts Employment and Opportunities Web Site.
April, 1999 Vol. 3, No. 2.
Paul Olum Mobile Hemi-Bust Michael Randles
Outlaw Murals Laura Feldman
January, 1999 Vol. 3, No.1.
The Rise and Fall of the California Confederation of the Arts: 1976 – 1997 Anne W. Smith
September, 1998 Vol. 2, No.4.
What Is Community Cultural Development and How Do We Practice It? Bill Flood
June, 1998. Vol. 2, No. 3.
The Arts as Commodity Stan Madeja
The Non-Profit and Commercial Arts: Understanding Future Options David B. Pankratz
April, 1998. Volume 2, No. 2.
The Florida Farmworkers Project Kristin Congdon.
February, 1998. Volume 2, No. 1.
Art Crimes: Building a Digital Museum/Graffiti Battle Crown Susan Farrell
November, 1997. Volume 1, No. 3.
The Invisible Careers for Latinos: Public History and Museum Studies Miguel Juarez
July, 1997. Volume 1, No. 2.
The Arts Management Employment Interview Deborah Snider
May, 1997. Volume 1, No. 1.
A Tool for Analysis of Web Sites’ Accessibility to Users with Disabilities Douglas Blandy, Ph.D.